The Reek of Everything Good
by Rebecca Rolland
1. Would you rather be a dolphin or a horse?
Would you rather eat only candy for your whole life and be sick five times or only fruit
and be sick for ten?
Would you rather eat only peas for the next twenty years (frozen) or only hot dogs for
the next twenty-two?
Would you rather have an alarm clock wake you up every morning at three with a
terrible cuckoo sound, and then again at four, or fall from a ten-story building and
land on your neighbor’s head?
All the questions and negotiations and possibilities for terror, multiplied.
I would like to swim, I tell my daughter. To swim forever, in an ocean, and make a click language out of my words. To swim, and exist in swimming. To have humans
swim by and have them nearly touch, to feel the waves of their passing, and yet
not to touch them; to remain in my own lane of water, as if in a quiet force field.
Not be a galloping horse, or a distracted mother with a cuckoo, or a bear. Only to swim,
and have the every-four-arm-strokes breathing soothe me, and let the rhythm of
that breathing crystallize, and feel I was dancing, shifting from the very inside.
Of course, I do not tell her all of this, only a dolphin.
I would like to have a very small brain, she says. Then I would not have to think.
Did you know that the kangaroo cannot hop backward?
I did not know that, I said.
2. After the miscarriage, at only seven weeks—waking up to a sharp cramp, at four
in the morning, sitting on the floor, asking for the doctor, the way a child would
ask for her mother—I blamed myself., I lifted a ten-pound weight, and resolved
that, the next time—if there was a next time—I would refuse to carry anything,
and do no exercise that could cause any harm. When I shut my eyes, I could still
see myself lifting off the bed in the ultrasound room, having seen the cluster of
cysts that might have been—but perhaps had not been—a child, and the sheet of
blood I left behind, so much blood even my husband remarked he didn’t think
such a new pregnancy could have left so much. He noticed how pale I looked, he
later told me, but didn’t want to say anything, not wanting to frighten me even more.
Sophie, only four at the time, would soon come to ask me why I could not lift her to the
monkey bars, why I could not bring the groceries inside, why I’d cleared my bag
of all extraneous books, rather than carting around half the library, as I usually
did. I came to seem, without meaning to, fragile, a China plate that could not be
shaken or dropped. I would break, I feared, or the child inside me would.
And then came Halloween, when I had made it to six months, and had asked my
husband, nearly every day, at the close, if he thought I’d have a miscarriage
tomorrow. No one knows, he said. And I agreed. No one knew. That was the
terrible thing. And the more the time passed, ironically, the less safe I felt. I
wasn’t getting closer to a pregnancy being over, and to having a healthy child. I
was getting closer to having an even later miscarriage, sure to be more painful
than the first. And yet it was Halloween, and I ignored the new sciatica shooting
down my spine, and set aside the special cushion with a hole in it I’d bought to
sit, which appeared to have little effect, and helped Sophie dress as a pirate,
and headed out into the Boston streets. There was an oyster bar that had been
transformed into a haunted house. There was an entire street that had been
cleared of cars and festooned with RIP signs and fake smoke and faces lit up by
flashlights, in masks, adults and children in alligator costumes and Transformer
suits, so they could lie on the floor and pretend to be almost dead, but then rise
from the dead and become robotic, monstrous. There was the sound of cackling
laughter, screeching and candy highs and the commenting of neighbors on every
corner. There was spilled wine and the reek of everything good.
“Come on,” she told me, pulling my arm, with her fake sword in the other hand, and her
pirate costume—black and white stripes, a skull on the shoulder—oversized but
making her look oddly powerful. “We’ve only filled up half my bag, okay?”
“Okay.” I held the back of my aching leg and followed, navigating through cheese hats
and wild bears and princesses. I breathed in every quiet breath I could.
3. If you swim so many times, the water feels like it will cut you.
If you swim through blizzards, peeling off your coat and snow boots and every other
layer to put on a suit already damp from yesterday.
If you swim because you imagine you can be no colder than you already are.
If you swim after telling yourself you will not swim tomorrow.
If you swim because a bit of water on you, as you wash your face, feels like ice, but a lot
of water feels like an almost forgettable thing.
Because being a dolphin is not an option.
Because you have no language other than the human one.
Because your mind needs water, and the deprivation of it, after a full day of sound.
If you swim because the way the water catches you is like nothing else.
If you swim because it is the only thing, you have convinced yourself, that will keep your
unborn child safe.
If you swim because no one will swim in your place.
If you swim because your limbs know more than your mind does.
If you swim so your fear won’t take hold.
Rebecca Givens Rolland writes fiction, nonfiction, and poetry. Her poetry book, The Wreck of Birds, won the May Sarton New Hampshire First Book Prize and was published by Bauhan Publishing. Her fiction has appeared in the Michigan Quarterly Review, Juked, and the Tampa Review.